published 2.28.2019

Simon Critchley’s Athens in Pieces: The Tragedy of Democracy in The New York Times

by Simon Critchley

ATHENS — Our next location is a mere 100 steps from where I’m writing these essays. I pass it every day on my way to and from the library. It is the Monument of Lysicrates, built around 334 B.C.E., just about the time Aristotle returned to Athens to found his Lyceum. I always pause there, take in the view and watch the many seemingly well-fed and contented cats scattered around the place. If you let your eyes drift up from the monument, your vision is seized by the vast sacred rock of the Acropolis. It is skin-pinchingly sublime.

Indeed, New Yorkers might experience a feeling of déjà vu or double vision with this monument because you can find not one, but two copies of it atop the San Remo apartment building on Central Park West, just north of the Dakota, where John Lennon lived and died. The monument was also widely copied elsewhere.

The original Monument of Lysicrates is composed of a 9.5-foot-square limestone foundation topped with a 13-foot-high cylindrical edifice. There are six Corinthian columns, thought to be the earliest surviving examples of that style, made from marble from Mount Pentelicus, about 15 miles northeast of Athens. These support a sculpture divided into three bands that carry an inscription commemorating Lysicrates — a wealthy patron of the arts of whom little else is known — and a frieze depicting the adventures of the god Dionysus and some pirates whom he transformed into dolphins. The god sits caressing a panther as some satyrs serve him wine, while others, with torches and clubs, drive the pirates into the sea.

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