published 12.13.2018

n+1 Magazine's article of David Levine's Some of the People, All of the Time


A big white space with objects and images in it. Maybe an art gallery, or an escape room, or a waiting room, or purgatory.

A figure in a white jumpsuit, vox, sits on a bench beside a wooden push broom, looking at a black-and-white image of a woman, lost in thought.


She’s like the Mona Lisa. So mysterious. What could her expression mean? Smart, but not too smart. European, but not too much so. Beguiling, but not — she looks like Natalie Wood. Maybe she is Natalie Wood. Or maybe she only looks like Natalie Wood, which is the smartest thing of all. Like that bit in L.A. Confidential when he’s like, “A hooker cut to look like Lana Turner is still a hooker,” and Kevin Spacey’s like, “That is Lana Turner, you idiot.” Who knows, right? Could be anyone. A face in the crowd.

She was the insert in every Lucite photo cube sold in the Seventies. My parents didn’t even bother to take her out. I thought she was a relative.....

Read the full article here